2007 Studies in American Culture - 30.1
Articles
Digital Conversion Experiences in Don DeLillo’s CosmopolisRandy Boyagoda
The Magician with Words: Fitzgerald and the 1920s Film Market
Tom Cerasulo
Reframing Historical Fantasies in James Branch Cabell’s The Cream of the JestBob Coleman
Ellen Douglas Sings the Blues for Cultural Appropriation in Can’t Quit You, BabyCourtney George
Larry Brown’s Literary Apprenticeship – 1980-1988
Jean W. Cash
Modern American Fiction and “The Fairy Tale Which Conquered the Western World”
David Vanderwerken
Review Essay
America Poetry Now—and Tomorrow?
Sam Witt
Reviews
Leavin’ a Testimony: Portraits from Rural Texas, Photographs and Text by Patsy Cravens
Rough Beauty, Photographs by Dave Anderson
David Wharton
The Architecture of Madness: Insane Asylums in the United States, by Carla Yanni
Pamela H. Simpson
Toxic Drift: Pesticides and Health in the Post-World War II South, by Pete Daniel.
John G. Leland
The Work of the Heart: Young Women and Emotion, 1780-1830, by Martha Tomahve Blauvelt
Sylvia J. Cook
Practicing Protestants: Histories of Christian Life in America, 1630-1965, Edited by Laurie F. Maffly-Kipp, Leigh E. Schmidt, and Mark Valeri
David Fillingim
The Machine in America: A Social History of Technology
Matthew R. Hyre
Cracking Up: American Humor in a Time of Conflict, by Paul Lewis
Dennis Hall
The Enduring Legacy of Old Southwest Humor, Edited by Ed Piacentino
Lawrence E. Mintz
Crucible of the Civil War: Virginia from Secession to Commemoration, Edited by Edward L. Ayres, Gary W. Gallagher, and Andrew J. Torget
Kenneth E. Koons
Black, White, & Olive Drab: Racial Integration at Fort Jackson, South Carolina, and the Civil Rights Movement, by Andrew H. Myers
Sean Heuston
Unintended Consequences: The United States at War, by Kenneth J. Hagan and Ian J. Bickerton
James J. Hentz
Eating As I Go: Scenes from America and Abroad, by Doris Friedensohn
Priscilla W. Tate
Meet Me With Your Black Drawers On: My Life in Music, by Jeannie Cheatham
Robert Hawkins
A Miracle of Catfish, by Larry Brown
Jean W. Cash
Notes on Contributors
Cover
GOD Sign, Thomaston, Georgia, 2005. “This picture is one of those gifts we photographers receive every once in a while that reminds us to quit complaining,” says Wharton. “On this occasion, I only had a day or two to photograph in south Georgia and was unhappy about the rainy, overcast weather. And then I saw this sign.”
David Wharton